Artist,
Linux user,
programmer,
lifelong learner.
Styleguide. default
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. whiteblack
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. blackwhite
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. optimistic
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. sophisticated
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. grounded
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. moon
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. zurp
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. professional
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. coffee
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. black
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. plum
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. muted-pink
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. dew
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. newspaper
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. ember
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. darksouls
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. abyss
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. crimson
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. lavender
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. seafoam
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. win95
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. cyber
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. rave
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. sepia
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. frost
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'Styleguide. fire-horse
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In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art. - Josef Albers
puts 'Hello, world!'